The on-screen chemistry between Myrna Loy and William Powell is well documented – a cinematic partnership that resulted in 14 films, including their famous recurring roles as the husband-and-wife detective team Nick and Nora in The Thin Man series. Something I have not seen discussed as much is the role director W. S. Van Dyke played in the couple’s success. Of the 14 films, Van Dyke directed six of them – Manhattan Melodrama, I Love You Again, and the first four installments of The Thin Man series (he very well might have done the final two installments as well, had it not been for his early death in 1943). These films are certainly among Myrna Loy and William Powell’s most notable collaborations.

While the wife and I are enthusiastic fans of Loy and Powell both separately and together, it was not until recently that we had the chance to view I Love You Again for the first time. This screwball comedy might not be as polished and entertaining as The Thin Man films, but it nonetheless is an enjoyable and comedic film. It’s plot (which has sizable and obvious holes that really annoyed the Mrs.) begins with the boring miser Larry Wilson (Powell) loym30.jpgon a cruise annoying the other guests with his insistence on clean living and sobriety. The thing is – Wilson isn’t Wilson. He’s actually George Carey, a crafty con-man and Wilson’s complete opposite, but a bout of amnesia several years ago wiped the slate clean and allowed this new persona to develop. When Wilson falls overboard and receives a blow to the head, Carey resurfaces. Carey’s discovery that in the nine intervening years since he was last conscious Wilson has seemingly amassed a great deal of wealth and also landed a beautiful wife (Loy) causes him to decide to continue the charade long enough to cash in. (If it seems confusing and nonsensical, that’s because it is.)

In lesser hands, this plot could have easily fallen flat on its face. But with Van Dyke, Powell, and Loy, it turns out to be quite a bit of fun. Unlike The Thin Man films, this film relies more heavily upon Powell’s individual talents rather than Powell and Loy’s chemistry. One obviously can’t go wrong with William Powell, so this isn’t a bad thing, but fans looking for more Nick-and-Nora magic might be disappointed. You don’t really hear a lot about this film (in fact, you can only find a DVD of the film in a 4-disc Myrna Loy/William Powell box set), and it’s by no means perfect. Yet this relatively quiet reputation only helps to make it one of those pleasant little surprise discoveries that all classic film fans are only too happy to make.

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